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Nigerian-American Series Blockbuster: Bob Hearts Abishola on CBS

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Los Angeles, US – Fact; no one knows if actress/comedian Yvonne Orji’s ‘First Gen‘ sitcom passed the Pilot stage. We are proud to announce the release of the first Nigerian themed American sitcom on CBS, ‘Bob Hearts Abishola‘.

Bob, the patient & Abishola, the nurse.

The American sitcom television series created by Chuck Lorre, Eddie Gorodetsky, Al Higgins, and Gina Yashere was premiered on September 23, 2019, on CBS. It stars Billy Gardell(Bob) and Folake Olowofoyeku(Abishola) as the title characters, with Christine Ebersole(Dottie Wheeler), Matt Jones(Douglas Wheeler), Maribeth Monroe(Christina Wheeler), Shola Adewusi(Olu), Barry Shabaka Henley(Tunde), Travis Wolfe Jr.(Dele), Vernee Watson(Gloria), and Yashere(Kemi) in supporting roles.

This promising story is a sequential exhibition of the cycles of diverse Nigerians living in the United States of America. The story revolves around Bob, a rich American hard worker and Abishola a no-nonsense Nigerian immigrant nurse; two unlike characters in a one-sided love web.

Bob and Abishola.

Live from social media, Nigerians both home and abroad lack falling short in expressing their awe towards the sitcom. To some; a symbol of respect and others a glimmer of hope for the Nigerian identity.

Watch trailer.

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Filmmakers Sympathise with Genevieve Over LionHeart’s Disqualification at the Oscars

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The joy of many Nollywood fans were caught short as Genevieve Nnaji’s ‘Lion Heart’ was yanked off the International feature film category of the Academy Awards popularly known as the Oscars.

Lion Heart, which happened to be Nigeria’s first-ever film entry for the Academy Awards was disqualified due to the academy’s rule under the International feature film category, which states that ‘An international feature film is defined as a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track’.

The awards officials stated that the movie predominantly features English dialogue.

A popular actor and director, Paul Obazele, to our correspondence “I quite empathise with Genevieve on her ambition to get an Oscar. It is the ambition of every filmmaker. But in my opinion, inasmuch as she wants that, it’s not what we should be bothered about. It’s a personal thing, not a national issue.

“How successful has Nollywood been? There are (reportedly) more than 180 million Nigerians; we have not been able to capture 10 per cent of this. We are killing ourselves to get involved with the white man in his own thing in his country. Oscar is for America. What have we done to develop Nollywood that is our own? What have we done to maximise what we have? We tell ourselves lies. I want to live the white man’s life but the white man has created his own rules of engagement. Why do we want him to turn it around to suit us?

“Once upon a time, Nollywood was described as a phenomenon because we were able to beat the odds. We conquered the idle ground. We told our stories and got the world to listen to us.

“Today, we are being forced to listen to their things. We have not been able to defend our cultural heritage and we’ve not been able to tell our own stories in our own way. Let’s first conquer Nigeria because every day, Nollywood nosedives. The pirates are having a field day and there are no investors coming in.”

Another top filmmaker, Lancelot Imasuen, said the disqualification was a huge embarrassment. He stated, “My position is that the category is for ‘foreign language’. This means that films in other languages other than English.

“Lionheart is a very beautiful and high-quality film with good sound and pictures. It also has a very ‘African’ and ‘Nigerian’ storyline.

“The Oscars’ committee should be held responsible and blamed for the embarrassment, not Genevieve Nnaji. I’m sure Genevieve didn’t beg them to pick her film. There are lots of films in other languages that are of high quality, so they know why they did that. They have caused global embarrassment for Nigeria. But in a way, it is good for Genevieve. For every disappointment, there is gain. The film is now getting a lot of attention, so she has, at least, gained something from this saga.”

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